As with the title: please note it is a continuation debut Pulpografialle, which appeared in Detecti

I seem to blog writing routine: write the text once a month and always have a new text discusses new book. Recently I wrote a song -runoantologiasta the Titans, now write Pulpografia Britannica, which came off the press earlier this week.
As with the title: please note it is a continuation debut Pulpografialle, which appeared in Detective Society, formal letter published by Christmas Eve 2000, Pulpografiassa I dealt with more than 300 Americans formal letter kioskidekkaristia, formal letter this deal just under a hundred British formal letter kioskidekkaristia, in other words, formal letter those writers whose criminal or tension of the novels is a Finnish appeared formal letter in the kiosk paperbacks cigars or similar formats. Included are such classics as Eric Ambler, James Hadley Chase, Peter Cheyney, Peter O'Donnell, but also the unsung writers as Kenneth Royce and Angus Ross. In addition, the book deals extensively formal letter with Hank Jason- and Sexton Blake series of books. When Pulpografia appeared, my co-workers Turku Student Journal, Tero Kartastenpää said that it is an enjoyable memory vomit on paper. Pulpografia Britannica is similar opus: the precise bibliographic listings and adjustments to the heavy reference book, which is, however - at least in my opinion - to the extent of cultural history and esseistinenkin extract, it is also resistant to the actual reading. These authors did not Finnish longer need to write. Making the book was not quite simple. I wrote the first words of the Pulpografiaa been doing for more than 15 years ago. I remember that I thought one of Paul Denver called senttaria an American, and I had to remove formal letter him Pulpografian the script later. In addition, I wrote Peter Cheyney dealing with the search words before I finally decided that I did not handle formal letter the Pulpografiassa British writers. Part time rotary sentences is probably in the final book. Any straightforward project can not really talk about. I read over the years, from time to time some of the books on the subject, but I found that many, such as Peter Cheyney, do not speak to me at all. I also remember the births of something Sexton Blake and wondered anxiously: "Näistäkö I need to actually write?" Furthermore, it seems to me that the British kiosk detective story - and, perhaps, a British detective story at all - is the American version of the vähäverisempää. I like the directness of the American (and perhaps the sentimentality), after all, much more. (I can see the same phenomenon in films, as well music. Prefer to listen to at any time, the Sonics and the Dead Kennedys as the Rolling Stones and the Sex Pistols. This is something that I have had to write for a long time.) But the British kioskidekkarissa is still a lot of writers whose works I like Stephen Frances, formal letter whose life and works are endlessly fascinating, mentioned in Ambler, Royce and Ross, Jack Trevor Story, Hugh C. Rae (who also wrote the name of Robert Crawford), Bill Knox, Jack Higgins, a number of early works were published in Finland paperbacks reina, HL Lawrence and so on. The project formal letter made and vanui, even if I got the scholarship in the year 2006 (praise formal letter only, the Finnish formal letter Cultural Foundation! Do not make a separate statement?). In 2004 was also published Pulpografian first sequel, Americans kioskilänkkäreistä describing the reference book for the six-shooter (and its sequel five-shooter, in which I handle such länkkärikirjailijoita, which has only been published short stories lukemistolehdissä - seem to make books the principle of "better to tell too much than too little"), Making formal letter a noted Pulpografia Britannica break. That, too, was devastating, that I could not find a publisher for a new book anymore. Detective Society formal letter had no interest in a new book release. I talked to the Desuran Marko mold with a yes willingly admitted that she likes old kioskipokkarien aesthetics, but thought that the book would be profitable. Still, I made a book! In autumn last year, I decided that it is now or never. I had other writing jobs become so much extra money that I was able to tackle this project almost formal letter full-time. Samallahan I did of course also the clash of the song, but it was not riff with the exception of a few very demanding project. (In winter 2014, however, formal letter I began to do the other two books, but it is only normal that my folly.) Cash yes I got badly out of the country, formal letter especially when one grant, which I have for granted, do not come at all. I have to admit that I corrected in many places. I wrote the book on many of the browsing only - thus, for example, a number of Sexton Blake is only available for a short description of the plot, not the actual formal letter critical appraisal. Some books found enough plot description online. Last working day of the seat of the University Library VÄ

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