Dear innocent Maestro / My dreams remain intact - Magazine "Seance"
In Venice, the film showed Abel Ferrara's "Pasolini." "Seance", no doubt, will still write about it, but so far with the kind permission of the magazine "1985" we publish a translation of the material prepared by Evan Louison. This interview with the director.
Mom and I never talked about this flight. It was a matter of course, was the transition in two stages. We lived in a house without a roof, behind the walls without plaster in the house for the poor, in the outskirts, near the prison. It was a bag of dust in summer, in winter there was a swamp - but next rustled royaschayasya and naked country ... 1
For many American director Abel Ferrara needs little introduction. For some, it exists as a legend, jg a byword, having little to do with reality, others believe the rumors and consider it almost criminal. Tales about the director, quarrelsome, intemperate, prone to self-destruction and moral decay - sheer nonsense. The truth is that the nature of Ferrara - its amazing flexibility and ability to rise from the dead, and repeatedly. In short, we have a strong-willed person, that is characteristic only of the outstanding masters of their craft. He has gone from straight gangster epic ("King of New York", "Funeral") jg to the parables jg of redemption ("Bad Lieutenant", "Mary"), which tells tongue dirty city streets. Person from whom many expected going into the shadow continues to delight us with cinematic masterpiece.
I am writing this while sitting at the strange city of Rome, and I remember how young men wandered around jg New York, as if possessed, in search of Abel, his tracks are everywhere - his ghost and my representation of it, which has remained since childhood. He was like a wave that washes ashore, and then runs back into the sea, and I, standing on the shore, tried unsuccessfully to catch.
For Abel Pasolini was always respected and revered master. "He was real," says Abel. Same Ferrara has always been for me. He sought an audience with Pier Paolo, just like me, being twenty years, sought a meeting with him.
There is something jg in the movie is that awakens in us the researcher. God-like jg Clark Kent, waking up from a dream in which he was Superman. We begin with the comic and moving over the edge, into the bowels of police record. In pursuit of a dream we imagine themselves jg heroes, whistleblowers.
Now Abel, as always, full of determination, represents a new job "Pasolini" jg where he, with his characteristic ruthlessness prepares topics that he is obsessed with and with which we are already familiar. In "Pasolini" - a portrait of the last of the poets and composers from directing Pier Paolo Pasolini - the main role is played by Willem Dafoe, who recently appears in Ferrara more other actors and whose images - from Jesus Christ to Max Schreck - workshops jg reincarnation. Action "Pasolini" takes place on the last day of his life, which ended tragically still unsolved murder.
True story has a beginning, middle and end, it is always shrouded in mystery. jg The following dialogue between two artists with the participation of one of their flock. Replicas that are woven into a single stream, jg then disperse in different directions, blurring the line between history itself and its narrator, feeding the dream that someday it will be possible peaceful coexistence jg embodied truth and fiction. Poet, Heretic and pupil - the sequence does not matter.
Adult? Not me! Like life itself, that never matures - always a little jg sour, from one day to another brilliant - I can only stay true to the excellent uniformity of mystery. jg So I never whole, whole, not to give happiness - and even alarming vulnerability sins did not know this repentance. Equal, always equal to the inexpressible - at the very source of what I have. 1
Abel Ferrara (and Pasolini): A huge respect - this is our starting point. We have done a lot of work of hell, found out about it all. You know, for me he was a man, able to see the essence - from the moment when I first saw it. His terrible death in 1975, the entire floor
MORE
In Venice, the film showed Abel Ferrara's "Pasolini." "Seance", no doubt, will still write about it, but so far with the kind permission of the magazine "1985" we publish a translation of the material prepared by Evan Louison. This interview with the director.
Mom and I never talked about this flight. It was a matter of course, was the transition in two stages. We lived in a house without a roof, behind the walls without plaster in the house for the poor, in the outskirts, near the prison. It was a bag of dust in summer, in winter there was a swamp - but next rustled royaschayasya and naked country ... 1
For many American director Abel Ferrara needs little introduction. For some, it exists as a legend, jg a byword, having little to do with reality, others believe the rumors and consider it almost criminal. Tales about the director, quarrelsome, intemperate, prone to self-destruction and moral decay - sheer nonsense. The truth is that the nature of Ferrara - its amazing flexibility and ability to rise from the dead, and repeatedly. In short, we have a strong-willed person, that is characteristic only of the outstanding masters of their craft. He has gone from straight gangster epic ("King of New York", "Funeral") jg to the parables jg of redemption ("Bad Lieutenant", "Mary"), which tells tongue dirty city streets. Person from whom many expected going into the shadow continues to delight us with cinematic masterpiece.
I am writing this while sitting at the strange city of Rome, and I remember how young men wandered around jg New York, as if possessed, in search of Abel, his tracks are everywhere - his ghost and my representation of it, which has remained since childhood. He was like a wave that washes ashore, and then runs back into the sea, and I, standing on the shore, tried unsuccessfully to catch.
For Abel Pasolini was always respected and revered master. "He was real," says Abel. Same Ferrara has always been for me. He sought an audience with Pier Paolo, just like me, being twenty years, sought a meeting with him.
There is something jg in the movie is that awakens in us the researcher. God-like jg Clark Kent, waking up from a dream in which he was Superman. We begin with the comic and moving over the edge, into the bowels of police record. In pursuit of a dream we imagine themselves jg heroes, whistleblowers.
Now Abel, as always, full of determination, represents a new job "Pasolini" jg where he, with his characteristic ruthlessness prepares topics that he is obsessed with and with which we are already familiar. In "Pasolini" - a portrait of the last of the poets and composers from directing Pier Paolo Pasolini - the main role is played by Willem Dafoe, who recently appears in Ferrara more other actors and whose images - from Jesus Christ to Max Schreck - workshops jg reincarnation. Action "Pasolini" takes place on the last day of his life, which ended tragically still unsolved murder.
True story has a beginning, middle and end, it is always shrouded in mystery. jg The following dialogue between two artists with the participation of one of their flock. Replicas that are woven into a single stream, jg then disperse in different directions, blurring the line between history itself and its narrator, feeding the dream that someday it will be possible peaceful coexistence jg embodied truth and fiction. Poet, Heretic and pupil - the sequence does not matter.
Adult? Not me! Like life itself, that never matures - always a little jg sour, from one day to another brilliant - I can only stay true to the excellent uniformity of mystery. jg So I never whole, whole, not to give happiness - and even alarming vulnerability sins did not know this repentance. Equal, always equal to the inexpressible - at the very source of what I have. 1
Abel Ferrara (and Pasolini): A huge respect - this is our starting point. We have done a lot of work of hell, found out about it all. You know, for me he was a man, able to see the essence - from the moment when I first saw it. His terrible death in 1975, the entire floor
MORE
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